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Kathak

A Classical Dance of North India

by David Courtney working tools

kathak dancer and music­ians

Kathak is the major classical dance form of nor­thern India.  The word kathak means “to tell a story”.  It is der­ived from the dance dramas of ancient India.  When the pat­ron­age shifted from the temples to the royal court, there was a change in the overall emphasis.  The emphasis shifted from the telling of re­li­gious stories to one of enter­tain­ment.  Today, the story-telling aspect has been downgraded and the dance is primarily an abs­tract exploration of rhythm and move­ment.

Kathak was primarily associated with an ins­titu­tion known as the tawaif.  This is a much misunderstood ins­titu­tion of female enter­tainers, very much like the geisha trad­ition of Japan.  It was a profession which de­man­ded the highest stan­dards of training, intelligence, and most impor­tant, civility.  It is said that it was com­mon for royalty to send their chil­dren to the tawaifs for instruction in eti­quette.  Unfor­tunately, when the Bri­tish con­so­li­dated their hold over India du­ring the Vic­tor­ian era, this great ins­titu­tion was branded as mere pros­ti­tu­tion and was outlawed.  This set the art-form of kathak into a downward spiral that was not reversed un­til In­de­pen­dence when there was a reawakening in interest in trad­itional In­dian art-forms.

Map of Kathak

Gharanas of Kathak

There are three main gharanas, or schools of kathak.  These schools are named ac­cor­ding to the geographical area in which they developed.  These are the Jaipur, Lucknow, and the Benares gharanas.  Each has a slight difference in interpretation and repertoire.



Musical Instruments Used To Accompany Kathak

Any of the instruments associated with north Indian classical music may be found in the accompaniment of the kathak. The most common percussive instruments are the tabla and the pakhawaj. The tanpura is the ubiquitous instrument used to supply the drone, but surmandal is also commonly found as a secondary drone instrument. Melodically, the sarangi was the preferred instrument to supply the lahara, or other melodic accompaniment. However, today the harmonium is usually found in place of the sarangi. Small bells on the feet of the dancer, known as ghungharu, have special association with kathak, as they do for almost all classical dance. Other instruments which may be found on occasion are the bansuri, dilruba, esraj, santur, sarod, or sitar.



Selected Videos



Other Sites of Interest

On Filming Classical Indian Dance

Cultural Heritage in Transition: exploring the challenges of representing classical Indian dances in Finland

Contested Histories: “Revivals” of Classical Indian Dance and Early Pioneers of Contemporary Indian Dance

The Limits Of Orientalism: Classical Indian Dance And The Discourse Of Heritage

From interculturalism to historicism: reflections on classical Indian dance (2000/1)

Classical Indian Dance in Literature and the Arts Kapila Vatsyayan (Book Review)

From: Bodies that Matter: on the Discursive Limits of ‘sex'

The Theory and Technique of Classical Indian Dancing

From Interculturalism to Historicism: Reflections on Classical Indian Dance

Classical Indian Dance and Women’s Status

Bharata Natyam: A Classical Indian Dance in Transition