Skip to content

Andhra Natyam

by David Courtney working tools

Andhra Natyam is a classical dance form from the south In­dian state of Andhra Pradesh.  It is a style that became extinct but was revived in the 20th century.

It is derived from the general soup of south In­dian dance forms.  Therefore, it shows strong similarities to such forms as Kuchipudi, and Bharat Natyam, as well as the older forms of Dasi Attam, Kacheri Attam, Chinna Melam, and a host of others.

There are a number of unresolved questions concerning Andhra Natyam.  Is it really a distinct dance form, or is it just another flavour of the Kuchipudi / Bharat Natyam tradition?  How rigorous was the scholarship in its reconstruction?  Can we assign an age that extends back further than its reconstruction?  Is it even pos­sible to reconstruct a tradition, especially in a near absence of reliable documentation?  It is unfortunate that these questions are being an­swered ac­cor­ding to political agendas, and not ac­cor­ding to valid aca­demic and artistic criteria.



Musical Instruments Used to Accompany Andhra Natyam

The instrumentation in Andhra Natyam is similar to that of Kuchipudi or Bharat Natyam. The drone is provide by the tanpura and/or the surpeti. The rhythmic accompaniment is provided by the mridangam and the manjira. These may be backed up by kanjira, murchang or ghatam. The melodic accompaniment may be handled by veena (Saraswati veena), venu, or violin. There is additional rhythmic accompaniment provided by the ghungharu on the dancer’s feet.



Selected Video



Other Sites of Interest

On Filming Classical Indian Dance

Cultural Heritage in Transition: exploring the challenges of representing classical Indian dances in Finland

Contested Histories: “Revivals” of Classical Indian Dance and Early Pioneers of Contemporary Indian Dance

The Limits Of Orientalism: Classical Indian Dance And The Discourse Of Heritage

From interculturalism to historicism: reflections on classical Indian dance (2000/1)

Classical Indian Dance in Literature and the Arts Kapila Vatsyayan (Book Review)

From: Bodies that Matter: on the Discursive Limits of ‘sex'

The Theory and Technique of Classical Indian Dancing

From Interculturalism to Historicism: Reflections on Classical Indian Dance

Classical Indian Dance and Women’s Status

Bharata Natyam: A Classical Indian Dance in Transition