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Tanpura or Tambura

by David Courtney working tools

Tanpura
Miraj Style Tambura (Tanpura)

Tanpura is a drone instrument.  It resembles a sitar except it has no frets.  It has four strings tuned to the tonic.  The word “tanpura” (tanpoora) is com­mon in the north, but in south India it is called “tambura”, “thamboora”, “thambura”, or “tamboora”.  The tanpura is known for its very rich sound.  There are three main styles; the Miraj style, the Tanjore style and the small instrumental version some­times called tamburi.

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The Miraj style is the typical north In­dian tanpura (tambura). This is the favourite of Hindustani music­ians.  It typically is bet­ween 3 to 5 feet in length.  It is cha­rac­terised by a pear shaped, well rounded tabali (resonator face) and non-tapering neck.  It us­ually has a resonator made of a gourd, but rarely one may find resonators made of wood.  This style is shown at the top of this page.

tanpura
Tanjore Style Tambura (Tanpura)

The Tanjore style of tambura is found in the south.  This is the favourite for Carnatic music­ians.  It is also about 3 to 5 feet in length.  Unlike the Miraj style, the neck tapers toward the top, and the front plate is very flat.  Resonators are al­most al­ways of wood.  An example of the Tanjore style is shown above.

tanpura
Tamburi (instrumental tambura)

In recent de­cades the tamburi or instrumental tambura (tanpura) has be­come pop­ular.  Its most striking cha­rac­teristic is its size.  It averages only about 2 to 3 feet in length.  It has a very shallow resonator made of wood and only a slightly curved resonator plate (tabali).  It us­ually has four strings but may just as well have 5, 6, or even more strings.  The tamburi’s small size means that the play­ing technique is us­ually slightly dif­fer­ent from the standard tambura.  Although the tamburi is gen­erally acknowledged to have an in­fer­ior sound, it is the easiest of all the tamburas to main­tain.  It is ext­remely portable, it holds its tuning well, and be­cause it is all wood (i.e., no gourds) it is vir­tually indestructible.  These points makes the tamburi very pop­ular with the travelling musician.

Much more information about the tanpura including its play­ing technique may be found in “Elementary North In­dian Vocal: Vol 2” by David Courtney and Chandrakantha Courtney.


Photo Gallery

tanpura, drone instrument of India

View #1

tanpura, View #2

View #2

tanpura, View #3

View #3

tanpura, base

Base

tanpura, head

Head

tanpura, bridge

Bridge

tanpura, drone instrument of India

Tuning beads

tanpura, drone instrument of India

Decoration

tanpura, drone instrument of India

Decorative leaves

tanpura, drone instrument of India

Upper bridge and string guides


Selected Video


Other Sites of Interest

Indian Classical Music: Tuning and Ragas

Modes and Ragas: More Than just a Scale

Emotional responses to Hindustani Raga music: The role of mus­ical struc­ture

Automatic Raga Recognition in Hindustani Classical Music

Patrick Moutal. A Comparative Study of Selected Hindustānī Rāga-s based on Contemporary Practice

Automatic Tonic Identification in In­dian Art Music: Approaches and Evaluation

Bharatiya Sangeet Vadya (Review)

Catalogue of Indian Musical Instruments

Fractal dimension analysis of audio signals for Indian musical instrument recognition

Natural synthesis of North Indian musical instruments

Recognition of Indian Musical Instruments with Multi-Classifier Fusion

The Tagore collection of Indian musical instruments

Improvement of Audio Feature Extraction Techniques in Traditional Indian Musical Instrument

East Indians musical instruments

Yantra kosha; or, A Treasury of the Musical Instruments of Ancient and of Modern India, and of Various Other Countries