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Folk Dances

by David Courtney working tools

Folk dancer

There is really no such genre as folk dancing.  Rather, there is a large body of unrelated non-classical dance forms.  The only thing com­mon among these dance forms is their rural origins.

Many folk dances are performed by ordinary people rather than professional dan­cers.  It is very usual that on special occasions, the villagers will gather and sing and dance, accompanying them­sel­ves on a variety of folk instruments.  Such special occasions include harvesting, planting, marriages and religious holidays.

Sometimes the folk dances are performed by professionals.  There is the institution of the folk theatre.  Professional musicians, actors and dan­cers travel from village to village performing their dance dramas.  This seems to be a rural extension of the ancient theatrical tradition found in the Natya Shastra.  However, it appears to have degenerated into a rural tradition.  One example of the folk theatre is the Yaksha Gana of Karnatika.

It would be more correct to divide these folk dances into two categories: folk and tribal.  The difference between the two is cultural.  Folk dances are the rural extensions of the larger In­dian population.  Examples are the Bhangra and the Garba.  However, the tribal dances are performed by India’s aboriginal populations.  These people, known as adivasi, have a culture which is very distinct from the larger In­dian population.  Attempting to relate In­dian tribal dances with In­dian folk dances is very much like trying to relate the dances of the Cherokee In­dians to the “Cotton Eyed Joe”.  A com­mon example of a tribal dance is the Santhali

It may be aca­demically desirable to separate tribal from simple folk dances, however this is generally not done. Artists do not concern them­sel­ves with these aca­demic mat­ters.  Therefore the following list does not make any distinctions.



The following is a very short and incomplete list of folk and tribal dances.

Bathakamma

A folk dance of Andhra Pradesh.

Bihu

Bihu is a folk dance from Assam.  It is a very brisk and aggressive dance performed by both boys and girls.

Bagurumba

This is a folk dance from Assam.  It is performed by the Bodos and is known for its colourful attire.

Bhangra

This is a folk dance from the Northwest In­dian state of Punjab.  It is a lively, powerful dance. (see Bhangra: Music and Dance from the Punjab

Chah Baganar Jumur Nach

This is a Dance from Assam.  It is a dance of the tea gardens.

Changu

The changu dance is a folk dance found in Odissa and Andhra Pradesh.  It derives its name from the changu, which is a simple tambourine (daf) that is used to accompany this dance.

Daankara

The daankara is a stick dance, similar in some ways to the dandiaya raas of gujarat.  However, the daankar is performed in Punjab.

Dandaria

A folk dance of Andhra Pradesh.

Dasakathia

This is a folk theatre of Odissa.  It is performed by a pair of performers who entertain the audience with dance, songs, and stories.

Dhamal

1) A folk dance of Punjab.  2) A folk dance of Andhra Pradesh

Gair

This is a dance of Rajasthan.  It is performed by groups of dan­cers moving in and out with an almost military precision.

Garba

This is a folk dance from Gujarat.  It is traditionally danced at marriages and during the time of Navaratri.

Gatka

A folk dance utilising swords, daggers, or sticks performed in the Punjab

Geendad

This is a folk dance of Rajasthan.  It is very similar to the Gair.

Ghoomar

This is a folk dance of Rajasthan.  It derives its name from its cha­rac­teristic pirouettes.

Ghanta Patua

This is a folk dance of Odissa.  Its name is derived from the large brass gongs known as ghanta.  It is performed in the Hindu month of Chaitra.  This dance is most notable be­cause it is performed on stilts.

Giddha

This is a folk dance of Punjab, generally performed by women.

Gobbi

A folk dance of Andhra Pradesh.

Jhoomar

This is a dance of the Mundas and Mahantas of Odissa.

Jhumar

A slow version of bhangra performed at weddings and other festive ev­ents.

Julli

A Folk dance performed in the Punjab that is done sitting down.

Kacchhi Ghodhi

This is a folk dance of Rajasthan that is performed with a dummy horse.

Kandhei

(see Sakhi Nata)

Kavadi

This is a folk dance of Tamil Nadu.  It is played with a wooden pole upon which are tied two pots. The stick is then balanced upon the shoulder.

Karagam

This is a folk dance of Tamil Nadu.  It is played with a pot balanced on the head.

Kela Keluni

This is a dance performed by the Kelas of Odissa.

Kikli

A women’s folk dance of the Punjab

Kushan

This is a folk theatre of Bangladesh and West Bengal (see “Kushan Theatre Revival In Bangladesh”)

Laathi Nauch

This is a folk dance of NE India and Bangladesh.  This was ori­gi­nally based upon a system of martial arts that uses large sticks (laathi).  However in some case it has evolved into a game (Lathi Khelna) or a dance (Laathi Nauch).

Luddi

A very cha­rac­teristic form of Bhangra.

Mathuri

A folk dance of Andhra Pradesh.

Raas

This is a folk dance from Gujarat.  It is traditionally danced at marriages and during the time of Navaratri.

Saami

A Wemen’s folk dance of the Punjab

Sakhi Nata

This is the puppet dance of Odissa.

Terahtali

This is a folk dance of Rajasthan.  It is performed by women while they are seated.

Therukoothu

This is a folk theatre from the south In­dian state of Tamil Nadu.

Yaksha Gana

This is a folk theatre from the south In­dian state of Karnatika.



Selected Video

https://youtu.be/TNJCBT6VDO4



Other Sites of Interest

On Filming Classical Indian Dance

Cultural Heritage in Transition: exploring the challenges of representing classical Indian dances in Finland

Contested Histories: “Revivals” of Classical Indian Dance and Early Pioneers of Contemporary Indian Dance

The Limits Of Orientalism: Classical Indian Dance And The Discourse Of Heritage

From interculturalism to historicism: reflections on classical Indian dance (2000/1)

Classical Indian Dance in Literature and the Arts Kapila Vatsyayan (Book Review)

From: Bodies that Matter: on the Discursive Limits of ‘sex'

The Theory and Technique of Classical Indian Dancing

From Interculturalism to Historicism: Reflections on Classical Indian Dance

Classical Indian Dance and Women’s Status

Bharata Natyam: A Classical Indian Dance in Transition