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Ghatam

by David Courtney working tools

gattam, gatam, ghatam, ghattam

Ghatam is nothing more than a large clay pot.  It is very com­monly played in South In­dian classical performances.  There are two ac­tions of resonance.  The primary one is the ringing of the pot caused by striking.  A very low resonance is also pro­du­ced by the cavity. 


gattam, gatam, ghatam, ghattam

The primary mode of playing is based upon the vibration of the pot. From a physical standpoint, it is complicated as the resonance characteristics of all all ideophones tend to be. Idiophones such cymbals, castanets, and similar instruments, are some of the oldest musical instruments on earth.

However, the ghatam has another mode of playing where the resonance does not come from the pot but from the cavity. This is referred to as a Helmholtz resonator. The most well known example of a Helmholtz resonator is the ocarina, but it also shows up in some of the bass pipes of a pipe organ. The pitch of this may be varied by partially opening or closing the mouth of the pot with the stomach.


Selected Video


Other Sites of Interest

Bharatiya Sangeet Vadya (Review)

Catalogue of Indian Musical Instruments

Fractal dimension analysis of audio signals for Indian musical instrument recognition

Natural synthesis of North Indian musical instruments

Recognition of Indian Musical Instruments with Multi-Classifier Fusion

The Tagore collection of Indian musical instruments

Improvement of Audio Feature Extraction Techniques in Traditional Indian Musical Instrument

East Indians musical instruments

Yantra kosha; or, A Treasury of the Musical Instruments of Ancient and of Modern India, and of Various Other Countries

Modeling Carnatic Rhythm Generation: A Data Driven Approach Based on Rhythmic Analysis

Rhythm and Timbre Analysis for Carnatic Music Processing

Impact of Carnatic Music Training on the Mathematical Ability of Children

CAMEL: Carnatic Percussion Music Generation using N-Gram Models

An Approach to Adding Knowledge Constraints by Fractal Analysis on a Generative Model of Carnatic Rhythm

Hierarchical Classification of Carnatic Music Forms