Section 6 – Stringing the Base

Tuning and Stringing the Dilruba or Esraj

by David Courtney

STRINGING AND TUNING THE DILRUBA AND ESRAJ Section 1 – Introduction Section 2 – Basic Concepts of Tuning Section 3 – Overview of Strings Section 4 – Dilruba/Esraj Strings Section 5 – Tools Section 6 – Stringing the Base Section 7 – Stringing the Tuning Pegs Section 8 – Tightening the Strings

It is ob­vious that stringing our instrument requires us to have the string fixed at both ends.  It must be fixed at the base and it must be fixed at the tuning mechanism.  In this page we will show how the string attaches to the base of the instrument.

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Fixing a Guitar String at the Base (Dilruba)

If we are using guitar or cello strings it is such a trivial mat­ter that I am al­most embarrassed to take the time to dis­cuss it here.  These strings have a small eyelet at­ta­ched at the end.  All that one has to do is to slip the string in through the base.  That is all, there is to it.  This is shown in the figure below.  Not only is it easy to attach in this man­ner, it is also easy to remove.  This is very impor­tant if you find that it is neces­sary to change your strings often in order to temporarily change the key of your instrument.

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Fixing a Guitar String at the Base (Esraj)

Attaching guitar strings with the eyelet to the base of the esraj is very simple.  But the issue is not whether it is easy or hard, but whether we really want to do it or not.  We must re­mem­ber that the base of the dilruba is reminiscent of the sarangi, while the base of the esraj is ac­tually closer to that of sitar or saringda.  There­fore, we have con­si­der­ably less area at the base to work with.  The eyelets may be simple, but they do take con­si­der­ably more space than a simple string.

There is a good ge­ne­ral rule to use when attaching strings to the esraj.  If we have no plans to remove the string, it is prob­ably better to just cut the eyelet off and attach the strings in the trad­itional man­ner.  On the other hand, if we think that we may need to switch out the string (e.g., main play­ing string and the Sa play­ing string), then we may wish to use the technique des­cribed here.

Step 1 – Take the end with the eyelet

Step 2 – Pass the loose end of the string into the hole in the eyelet.  This makes a noose.

Step 3 – Slip the noose over the post (Mogara) at the end, or any other mounting area.  It is done!

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Fixing a Simple String to the Base (Dilruba)

There is a trad­itional means of a fixing the string at the base of the dilruba.  This will be used when you have strings which do not have the eyelet at­ta­ched to the end of the string.

Most peo­ple will use this ap­proach when attaching the sympathetic strings.  The rea­son for this is primarily eco­nomic.  If you use guitar strings for all of the sympathetics strings, this is going to cost a lot of money.  It is much more eco­nomical to sim­ply buy a spool of string and cut it to the lengths that you want.  Although this saves a lot of money, it does mean that your strings will not have an eyelet at the end.  There­fore, you will have to pay some attention as to how to mount it.

Mounting the string in a trad­itional fash­ion is done in this man­ner:

Step 1 – Take the string and insert it from the back side.  One only needs for it to protrude a few inches.

Step 2 – Pull the back por­tion around to the front.  Bring it in close proximity to the short protruding end.

Step 3 – Make a bend of about 3/4th of an inch.  Wrap this bent sec­tion over the string from the back

Step 4 – Insert the bent string back into the hole.

Step 5 – Pull tight.

That is all there is to it!  The finished attachment should look like the pic­ture below:

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Fixing a Simple String at the Base (Esraj)

Fixing the string to the base of the esraj is accomplished by attaching the string to one or more posts which protrude from the base.  This is accomplished very sim­ply.

Step 1- Take an end of the string.

Step 2 – Bend it around the barrel of a pen or any si­mi­lar cylindrical object.  It is a good idea to make sure that the object has a diameter which is slightly greater than the post to which you will be attaching the string

Step 3 – Repeatedly wrap the short loose end around the main body of the string.  This will form a noose.

Step 4. Cut off the loose end.  Try and cut this flush to the noose; this will minimise cuts and pricks at a later date.

Step 4 – Place noose over the loose end of post.

Step 5 – Tighten as usual.

— PROCEED TO NEXT SECTION —

STRINGING AND TUNING THE DILRUBA AND ESRAJ Section 1 – Introduction Section 2 – Basic Concepts of Tuning Section 3 – Overview of Strings Section 4 – Dilruba/Esraj Strings Section 5 – Tools Section 6 – Stringing the Base Section 7 – Stringing the Tuning Pegs Section 8 – Tightening the Strings

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Other Sites of Interest

How Does Music mean? Embodied Memories and the Politics of Affect in the Indian Sarangi

Bowed strings and sympathy, from violins to indian sarangis

Let's Know Music and Musical Instruments of India

Master Musicians of India: Hereditary Sarangi Players Speak

The North Indian Classical Sarangi: Its Technique and Role

Kamanche, the Bowed String Instrument of the Orient

The Acoustic Dynamics of Bridges of Bowed Instruments (An Outline of Comparative Instrument-Making)

The Natural History of the Musical Bow

Bharatiya Sangeet Vadya (Review)

Catalogue of Indian Musical Instruments

Fractal dimension analysis of audio signals for Indian musical instrument recognition

Natural synthesis of North Indian musical instruments

Recognition of Indian Musical Instruments with Multi-Classifier Fusion

The Tagore collection of Indian musical instruments

Improvement of Audio Feature Extraction Techniques in Traditional Indian Musical Instrument

East Indians musical instruments

Yantra kosha; or, A Treasury of the Musical Instruments of Ancient and of Modern India, and of Various Other Countries

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