Teachers & Performers of Indian Music & Dance
Name: Zohaib Hassan Khan Amritsari
E-Mail: zohaibhassan.zebi@gmail.com
Field: Sarangi
Location: Lahore, Pakistan
Telephone: +92-301-4572871
Misc. Info: http://zohaibhassanamritsari.com. Approved as “AA” category instrumentalist (sarangi player) in Radio Pakistan. Cost of lesson is equivalent to $35 us dollars (1 hour lesson), or $120 Package ( 4 X 1 Hour Lesson). Available in person or through Skype. Skype Name – zohaib.zebi1 ..
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Indian music is traditional taught in a fashion that is linked to Hindu world views. But there are situations, often in schools, where this approach may not be the best. In such situations The Music of South Asia may be the best resource for you. |
Name: Ehtishamuddin Hussain
E-Mail: meerji@gmail.com
Field: Vocal
Location: Ibn-e-Suleman Manzil, Behind Ustad Bahauddin Qawal Street, Shoe Market, Karachi 74400, Pakistan
Telephone: +92 21 32742861, +92 334 3911417
Misc. Info: website www.qawalbachchay.com
Name: Sunaina Khan
Email: sunaina_khan@yahoo.com
Field: Kathak, Folk, Filmi Dance, yoga & Bollywood classes
Location: Rawalpindi/Islamabad Pakistan
Telephone: 0336-6130685
Misc. Info: Sunaina Khan is a notable name in the field of Eastern dance as a performer, choreographer & researcher. She has learnt from Mam. Minwala, Master Sajjad Hussain Kathak Kalawant (Patyala Gharana), Mam. Bina Jawwad, Mam. Zarin Panna & a few workshops of Kathak & yoga by Mam. Nahid Siddiqui ji. She has choreographed most National Days of Pakistan Television & different Private Channels. She has won awards as solo dancer for five years in International Youth Rafi Peer Performing Arts Festival. She has research on Pakistani classical & folk dances under UNESCO’S Safeguarding of the Intangible Cultural Heritage project. She has taught dance & yoga in all Pakistan’s notable art schools, institutes & universities including Pakistan National Council of Arts. Kathak (North Indo-Pak classical dance form (Mughlia Style Lucknow Gharana), folk dances of Pakistan (Punjab = Bhangra, Luddi, Choolistani Dance with Khartaals), (Sindh = Sindhi jhoomer, Fisherman Dance) , (Balochistan = Makrani Leva, Do Chapi Dance), (KPK = Khattak, Kattaghani) , Mehandi dance, Bollywood, Belly Dance, Yoga Classes (One-to-one online classes also available)
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Name: Ustad Muhammad Umair Nazir
E-Mail: decent_umair4u@hotmail.com
Field: Vocal, Harmonium, Key board, Sitar, Guitar, Tabla.
Location: Cantt, Lahore Pakistan.
Telephone: +92(0)321-9409468
Misc. Info: Umair is a 20 years old boy belong to Lahore, he is probably the one who is named by Ustad, “teacher of music”: he was only 10 years old when he started to learn music from Ustad Yousaf Ali Khan Sahib. His first teacher told him about the base’s of music including Alaap, Sargem, Alankar, and the 10 thaat and Raags system. But the craze didn’t freeze and he started to learn the other genres of music including Raagni and Taals system, and the styles of performing raag’s such as Dhurpada, Khyal, Thumri, and Ghazal. He is expert in playing harmonium, keyboard, sitar, guitar, & tabla. The craze didn’t stop and he started to get online musical lessons through internet, he contacted with Pandit Radehy Gupta, Professor Sanjoyda, and Elmoure the great guitar player of America. After all because of his love, craze and mastery in music, people started to calling him Ustad, even he was very young. He has several discipels such as Nixon Herrey “a very good key-board player”, Kesar Rajo, and several others also.
Other Sites of Interest
Implicit learning of Indian Music by Westerners
Nowadays: The Role of Internet for Propagation and Proliferation of Music
Multicultural Music Instruction in the Elementary School: What Can Be Achieved?
Training in Indian Classical Dance: A Case Study
Rasabodha: Understanding Indian classical dance by recognizing emotions using deep learning
Embodying culture : gurus, disciples and tabla players
Distance Education in Indian Music : Feasibility and Prospects
My Experience in Bharata Natyam (Indian Dance)
Learning Embodied Semantics via Music and Dance Semiotic Correlations
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