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Books & Journals

A

Abburu, Sunitha & G. Suresh Babu
2013 “Indian Music Instruments Semantic Knowledge Representation” International Journal of Computer Applications (0975 –8887) Volume 71–No.15, May 2013

Abu l-Fazl Allami (a.k.a. Abū al-Faz̤l ibn Mubārak)
Circa 1590 Ain-i Akbari. Translated by H. Blockmann. Delh: 1989. Reprinted by New Taj Office.

Adesh, H.S.
1993 Sargam.  Trinadad: Jeewan Jyoti Ptakashan.
1993 Shadaj.  Trinadad: Jeewan Jyoti Prakashan.

Agarwala, K.V.
1975 Traditions and Trends in Indian Music. Meerut, India: Rastogi Publications.

Aggarwal, Vikas
undated – How to Play Tabla and Bongo- Congo With Pictures. New Delhi: Creative Publication.

Agrawal, Krishna Kumar
2009 151 Dharmik Hit Bhajanon ki Swar Lipiyan. Delhi: Manoj Publications.

Ahmad, Nazir
1954 “Lahjat-i Sikandar Shahi”, Islamic Culture, Vol 28.

Ahmad-ul-Umri
1926 The Lady of the Lotus: Rup Mati, Queen of Mandu. A Strange Tale of Faithfulness. Translated by L.M. Crump. London: Oxford University Press.

Ahobala
1956 Sangitapärijata, Hathras: Sangeet Karyalaya.

Apte, Vaman Shivram
1995 The Practical Sanskrit-English Dictionary. Delhi: Motilal Banarsidas.

Apte, Vasudeo Govind
1987 The Concise Sanskrit Eng­lish Dictionary. Delhi: Motilal Banarsidas.

Archer, William
1960 Indian Miniatures. Greenwich, CT: New York Graphic Society.

Arfeen, Ayesha
“The Institution of Kotha: A Case Studyof Tawaif-Centered Films”, Imperial Journal of Interdisciplinary Research (IJIR), Vol-2, Issue-4, 2016 ISSN: 2454-1362, http://www.onlinejournal.in

Arnold, Alison E.
1991     Hindi Filmi Git: On the History of Commercial In­dian Popular Music. Ann Arbor: University Microfilms International. Ph.D. Dissertation.


B

Bake, A.A.
1957 “The Music of India”, The New Oxford History of Music. London: Oxford University Press.

Balagopal, Tara
1982 Learn to Play on Veena. New Delhi: Pankaj Publications.

Bamzai, Vaveree
2007 – Bollywood Today. New Delhi: Lustre Press.

Bandoypadhyaya, Shripada
1948 Vitat Vadya-Shiksha. Delhi: Vani Mandir – Bharatia Sangeet Prakashak
1958 The Music of India. Bombay: D.B. Taraporevala Sons & Co Pvt. Ltd.

Banerjee, Krishna Dhan
1899 Harmonium Shiksha. Calcutta.

Barz, R.K.
1977 An Introduction to Hindi and Urdu. Canberra, Australia: Australian National University Press.

Beck, Guy L.
1996 “When Gods Get the Blues: Expressions of Melancholy in Indian and American Traditions”, Yamauchi Lectures in Religion. New Orleans: Loyola University.

Bhagavandas “Mrdangacharya”
1959 Mrdang Tabla Prabhakar: Vol. I. Hathras: Sangeet Karyalaya.
1960 Mrdang Tabla Prabhakar: Vol. II. Hathras: Sangeet Karyalaya.

Bhagyalekshmy, S.
1991 Lakshanagrandhas in Music. Trivandrum: CBH Publications.
1994 Carnatic Music Compositions: An Index. Trvandrum: CBH Publications.

Bharatamuni
200 B.C. The Natya Shastra. (Translated by a Board of Scholars), Delhi: Sri Satguru Publications.

Bharati, Meera
undated- Swar Lipi Sangraha. New Delhi: Creative Publication.

Bhat, R. B.
1991 “Acoustics of a cavity-backed membrane: The Indian musical drum”, The Journal of the Acoustical Society of America 90, pp1469-1474. Acoustical Society of America.

Bhatkhande, Vishnu Narayan
1934 Srimal-laksyasangitam. Poona. (under pseudonym, Chatur Pandita Vishnu Sharma)
1934 A Short History of the Music of Upper India. Bombay, India: reprinted in 1974 by In­dian Musicological So­ciety, Baroda.
1980 Hindustani Sangeet Shastra. Vol. 2. Hathras: Sangeet Karyalaya.
1981 Hindustani Sangeet Shastra. Vol. 1. Hathras: Sangeet Karyalaya.
1985 Hindustani Sangeet – Paddhati (Vol 2): Kramik Pustak Malika. Hathras: Sangeet Karyalaya.
1985Hindustani Sangeet – Paddhati (Vol 3): Kramik Pustak Malika. Hathras: Sangeet Karyalaya.
1985 Hindustani Sangeet – Paddhati (Vol 4): Kramik Pustak Malika. Hathras: Sangeet Karyalaya.
1987 Hindustani Sangeet – Paddhati (Vol 6): Kramik Pustak Malika. Hathras: Sangeet Karyalaya.
1989 Music Systems of India: A Comparative Study of Some of the Leading Musical Systems of the 15th, 16th,17th, & 18th Centuries. Delhi: S. Lal & Co.
1993 Hindustani Sangeet – Paddhati (Vol 1 ): Kramik Pustak Malika. Hathras: Sangeet Karyalaya.
1995 Hindustani Sangeet – Paddhati (Vol 5): Kramik Pustak Malika. Hathras: Sangeet Karyalaya.

Bhatnagar, Jyotiswarup
1971 Sitar Shikshak (Vol 2). Lucknow, Jyotiswarup Bhatnagar.

Bhatt, Vishwanbharanath
1962 Sitar Shiksha. Hathras: Sangeet Karyalaya.
1968 Sangeet-Archana. Teen Aalap. Hathras, India: Sangeet Karyalaya.
1991 Bal Sangeet Shiksha: Vol 1. Hathras, India: Sangeet Karyalaya
1991 Bal Sangeet Shiksha: Vol 3. Hathras, India: Sangeet Karyalaya
1992 Bal Sangeet Shiksha: Vol 2. Hathras, India: Sangeet Karyalaya.
1994 Kramik Tan-Alap, Vol 4. Hathras, India: Sangeet Karyalaya.

Bhattacharya, Dilip
1999 Musical Instruments of Tribal India. New Delhi: Manas Publications.

Bhavnani. Enakshi
1965 The Dance in India: The Origin and History, Foundations, the Art and Science of the Dance in India – Classical, Folk and Tribal. Bombay: D. B. Taraporevala Sons & Co. Private Ltd.

Bolland, David
1996 A Guide to Kathakali: With the Stories of 35 Plays. New Delhi: Sterling Publishers.

Bor, Joep
1986-87 The Voice of Sarangi; An IIlustrated History of Bowing in India. Bombay: Nat­ional Centre for the Performing Arts.
1999 The Raga Guide. Netherlands: Rotterdam Conservatory of Music

Bose, Narendra Kumar
1960 Melodic Types of Hindustan. Bombay: Jaico Publishing.

Bose, Sunil
1990 Indian Classical Music.New Delhi:Vikas Publishing House.

Brown, Robert
1965 The Mrdanga: A Study of Drumming in South India: Vol I, Vol II. (Ph.D. dissertation, UCLA).

Bruhaspati, Acharya
1976 Sangeet Chintamani. Sangeet Hathras: Karyalya


C

Carterette, Edward C, K.Vaughn, and N. Jairazbhoy
1989 “Perceptual, Acoustical, and Musical Aspects of the Tambura Drone”, Music Perception. Berkeley: University of California Press. Winter 1989, Vol. 7, No 2, 75–108.

Cassio, Francesca
2011 “The Music of the Sikh Gurus: Tradition in a Western Context: Cross-Cultural Pedagogy and Research”, Sikh Formations. Vol 7, No 3, December 2011 pp. 313-337.

Chakravarti, Indrani
1991 “Sarod- Its origin and Evolution”, Seminar on Sarod. Calcutta: Sangeet Resarch Academy.

Chakravarty, N.
1982 Vaisnava Sangitsastra. Translated by Gajanana R. Sastri and Madanalal Vyas. Varanasi: Shri Gokul Mudranalya.

Chandra, Satish
1979 Sitar Vadan (Vol. 1). Allahabad. Sangeet Sadan Prakashan.

Chaterjee, Nandalal.
1965 “Vazir Ali’s Plans against the Company’s Power”, Journal of Indian History, April, 1965, Vol. 43(1):285-299.

Chaturvedi, Balmukund
no date – How to Play Tabla. New Delhi: Diamond Pocket Books.
1989 Sur Sagar.  Mathura: Shri Gopal Pustakalay.

Chaturvedi, Mamta
2009 How to Play Flute and Shehnai. New Delhi: Diamond Pocket Books Pvt. Ltd

Chinmaya Mission
1989 Slokathon. Houston: Chinmaya Mission (West).
1995 Mukunda Mala. Translated by Swami Chidananda. Piercy, CA; Chinmaya Publications.

Chopra, Sudarshan
1987 Tulsidas: Parichay Tatha Rachna. Delhi: Hind Pocket Books, Ltd.
1989 Mira: Parichay Tatha Rachnai. Delhi: Hind Pocket Books, Ltd.

Coomaraswamy, Ananda K.
1990 “The Parts of the Vina”, Studies in Indian Music and Allied Arts: Vol. 2. pp103-114. Delhi: Sandeep Prakashan.

Cooper, Grosvenor and Leonard B. Meyer
1960 The Phythmic Structure of Music. Chicago: University of Chicago Press.

Courtney, David R.
1977 “Harmonium: Controversial Instrument”, Pallavi.  Hyderabad: India Vol.  1, No 3, April 20, 1977: pp.  13.
1980 Introduction to Tabla. Hyderabad, India: Anand Power Press.
1985 “Tabla Making in the Deccan”, Percussive Notes. Vol 23 No 2: pp 33-34. Urbana: Percussive Arts So­ciety.
1987 “Tata and his Kamakshi Vina”, Experimental Musical Instruments. December: pp 5-9. Nicasia, CA :EMI
1988a “The Tabla Puddi”, Experimental Musical Instruments. Vol 4 No 4: pp 12-16. Nicasio: EMI.
1988b “Rag: Hindustani vs.  Carnatic”, Svar Gnyan.  Houston: Sur Sangeet Services.  April 1988: pp.  3.
1988c “Time Theory of Ragas”, Svar Gnyan.  Houston: Sur Sangeet Services.  June 1988.
1988d “Rag Yaman”, Svar Gnyan.  Houston: Sur Sangeet Services.  August, 1988: pp. 3
1988e “That and Mela”, Svar Gnyan.  Houston: Sur Sangeet Services.  September, 1988: pp. 3–4
1988f “Kathak Maestro Pt. Anju Babu”, Indo–American News. Houston. Sat, Aug. 20 1988: pp. 13.
1988g “Alla Rakha”, Svar Gnyan.  Houston: Sur Sangeet Services.  October, 1988: pp.  2.
1989a “An In­dian Music Specific Audio Driver”, Journal of the Acoustical So­ciety of India. Vol 17 No. 3&4: 269 272. Calcutta: Acoustical So­ciety of India.
1989b “Timbre: Psycho–Acoustic Considerations”. Svar Gnyan.  Houston: Sur Sangeet Services.  September 1989 p.  3.
1990b “North Indian Ragas”, Experimental Musical Instruments.  Nicasio, CA: EMI.  Vol.  6, No 2, August 1990: pp.  15– 16.
1990c “The Value of Musical Training”, Informensa.  Houston: Gulf Coast Mensa.  Vol.  23, No 9, September 1990 pp.  35.
1991a “The Application of the C=64 to In­dian Music: A Review”, Syntax . June/July: pp. 8-9: Houston.
1991b “Tuning the Tabla: A Psychoacoustic Perspective”, Percussive Notes. Vol 29 No 3: pp 59-61. Urbana: Percussive Arts So­ciety.
1991c “Introduction to MIDI”, Syntax. Tomball: CHUG Inc., Tomball: Dec./Jan 1991: pp.  11–13.
1991d “MIDI Protocol”, Syntax. Tomball: CHUG Inc.  Dec./Jan 1991: pp. 14–19.
1992a “New Approaches to Tabla Instruction”, Percussive Notes. Vol 30 No 4: pp 27-29. Lawton OK: Percussive Arts So­ciety.
1992b “Introduction to Spectrum Analysis”, Experimental Musical Instruments. Vol 8, No 1: pp 18-22. Nicasio, CA.
1992c “Bridges: An Indian Perspective”, Experimental Musical Instruments. Nicasio, CA: EMI Vol. 7, No 5, April 1992: pp8–11.
1993a “Mrdangam et Tabla: un Contraste”, Percussions: Cahier Bimensiel d’études et d’Informations sur les Arts de la Percussion. Chailly-en-Biere, France: Vol 28, March/April 1993; pp 11-14.
1993b “An Introduction to Tabla”, Modern Drummer. Mt. Morris, IL: October 1993; Vol 17, #10: pp.38-84.
1993c “Repair and Maintenance of Tabla”, Percussive Notes. Lawton OK: October 1993; Vol.31, No 7: pp 29-36.
1994a “The Cadenza in North In­dian Tabla”, Percussive Notes. Lawton OK: August 1994; Vol.32, No 4: pp 54-64.
1994b “Freemasonry in India”, The North Carolina Mason.  Raleigh, NC: Grand Lodge of AF&AM of N. Carolina: Jan/Feb: 1994; Vol.  CXIX No 1: pp.  6.
1994c “The Cadenza in North Indian Tabla”, Percussive Notes.  Lawton, OK: Percussive Arts Society.  August 1994; Vo132.  No 4: pp.  54–64.
1995a “The Cyclic Form in North In­dian Tabla”, Percussive Notes. Lawton OK: Percussive Arts Society. August 1994; Vol.33, No 6: pp 32-45.
1995b Fundamentals of Tabla. Houston TX: Sur Sangeet Services.
1999 “Psychoacoustics of the Musical Pitch of Tabla”, Journal of the Sangeet Research Academy. pp. 9-13, Vol. 13, No 1 October 1999. Calcutta, Sangeet Research Academy.
2000 Advanced Theory of Tabla. Houston TX: Sur Sangeet Services.
2001a Manufacture and Repair of Tabla. Houston TX: Sur Sangeet Services.
2001b Learning the Tabla. Pacific MO: Mel Bay Publications.
2003 Focus on the Kaidas of Tabla. Houston TX: Sur Sangeet Services.
2009 Learning the Tabla-2. Pacific MO: Mel Bay Publications.
2015 Music of South Asia. Houston TX: Sur Sangeet Services.

Courtney, David R. & Chandrakantha Courtney
1995 Elementary North In­dian Vocal. Houston TX: Sur Sangeet Services.
2003 “Antiquity in In­dian Music: Facts Factoids, and Fallacies”, Sruti Ranjani: Essays on In­dian Classical Music and Dance. pp 156-171. Sruti: The India Music and Dance So­ciety, USA.
2015 The Music of South Asia. Houston, TX: Sur Sangeet Services.

Courtney, David R. & Srinivas Koumounduri
2016 Learning the Sitar. Pacific MO: Mel Bay Publications.

Cousins, Margaret E.
1935 Music of the Orient and the Occident. Mad­ras: B.C. Paul & Co.

Crill, Rosemary, John Guy, Veronica Murphy, Susan Stronge & Deborah Swallow
1999 Arts of India: 1550-1900. London: V&A Publications.

Cunningham, Alexander
1879 The Stupa of Bharhut: A Buddhist Monument Ornamented with Numerous Sculptures illustrative of Buddhist Legend and History in the Third Century BC. London: W.H. Allen and Co.


D

Damodara
1962 Sangitadarpana. Hathras: Sangeet Karyalaya.

Danielou, Alain
1943 Introduction to the Study of Musical Scales. London: In­dian So­ciety.
1954 Northern In­dian Music (Vol. 1-2). London: UNESCO.
1968 Ragas of North In­dian Music. London: Berrie and Rockliff.

Das, G.N.
1992 Love Songs of Kabir. New Delhi: Abhinav Publicatiomns.

Dasi, Narayani Devi
1991 108 Vaishnava Melodies. New Mayapur. France: Dasi, Narayani Devi Dasi.

Datar, Shaila & Sudheer Datar (editors)
1998 Madhusanchayan: Sau Gharanedar Bandishon Ka. Pune: Dileep Majgaukar – Rajhans Prakashan.

Dathathreya
1994 Navamela Chakram: The Theory and Practice of 120 Melakartha Ragas. Madras: Universal Brotherhood Foundation,.

Davies, C. Collin
1949 An Historical Atlas of the In­dian Peninsula. Se­cond Edition. Delhi: Oxford University Press.

Day, C.R.
1990 The Music and Musical Instruments of Southern India and the Deccan. (first published in 1891). Delhi: Low Price Publications.

Dehlvi, Amar (compiler)
1983 Sahirki Shairi: Urdu – Hindi Men Ek Sath. New Delhi: Star Publications.
1984 Faiz Ki Shairi: Urdu – Hindi Men Ek Sath. New Delhi: Star Publications.

Deodhar, B.R.
1973 “Pandit Vishnu Digamber in his Younger Days”, Journal of the Indian Musicological Society. Baroda: Vol. 41, 21-56.
1986 Rag-Bodh (Vol 1). Bombay: Champa V. Devdhar.
undated- Rag-Bodh (Vol 5). Bombay: P. Shyam Gogte.
1993 Rag-Bodh (Vol 6). Bombay: P. Shyam Gogte.
1993 Pillars of Hindustani Music. Translated by Ram Deshmukh. Bombay: Popular Prakashan Pvt. Ltd.

Desai, Chaitanya
1973 “Indian Music: Ancient, Medieval and Modern”, Journal of the Indian Musicological Society. July-Sept., 1973. Vol. 4(3) 31-40.

Deshpande, Vamanrao H.
1973 Indian Musical Traditions. Bombay: Popular Prakashan.

Dev, Raja Chatrapati Singh Ju
1964a “Dhrupad-Rag Yaman”, Sangeet (Dhrupad / Dhammar Ank). Hathras, India: Sangeet Karyalaya. Vol. 30.
1964b “Dhrupad-Rag Malkosh”, Sangeet (Dhrupad / Dhammar Ank). Hathras, India: Sangeet Karyalaya. Vol. 30.

Deva, B. Chaitanya.
1977a “The Development of Chordophones in India”. Journal of the Sangeet Natak Akademi. New Delhi: Sangeet Natak Akademi. from http://dspace.nvli.in/handle/123456789/2932 .
1977b Musical Instruments: India – The Land and the People. New Delhi.National Book Trust, India.
1989 Musical Instruments in Sculpture in Karnataka. Shimla: In­dian Institute of Advanced Study.

Devangan, Tulsiram
1984  Thumri–Gayaki.  Hathras: Sangeet Karyalaya.

Dhavan, Devakinandan
1970 “Pad”.  Bhakti Sangeet Ank.  (edited by Lakshminarayan Garg).  Hathras, India: Sangeet Karyalaya.
1998 Sham-e Gazal. (edited by Lakshminarayan Garg).  Hathras, India: Sangeet Karyalaya.

Diagram Visual Information Ltd.
1976 Musical Instruments of the World. New York: Facts on File Publications.

Diamond Pocket Books
no date – Hit Filmi Qawwalian. New Delhi: Diamond Pocket Books.

Duncan, Stephen F.
1991 Christian Bhajans: A Study of the Uses of Indigenous Music in the Rites of the Catholic Church on the Subcontinent of India Since the Second Vatican Council with Particular Attention to the Bhajan and Kirtan. Doctoral Dissertation: Memphis State University. Memphis TN.

Durier, M., Bruguière, P., Hatté, C., Vaiedelich, S., Gauthier, C., Thil, F., & Tisnérat-Laborde, N.
2019 “Radiocarbon Dating of Legacy Music Instrument Collections: Example of Traditional Indian Vina from the Musée De La Musique, Paris.” Radiocarbon, 61(5), 1357-1366. doi:10.1017/RDC.2019.71

Dutta, Aloke
1984 Tabla, Lessons and Practice. Calcutta: Janabani Printers & Publishers.


E

Ellingson, Ter
1980 “Ancient In­dian Drum Syllables and Bu Ston’s Sham Pa Ta Ritual”, Ethnomusicology. Vol. 24, No 3. pp 431 452.

Emam
-no date – Delhi Gharana of Tabla: A Compositional Documentation -no publishers info available.


F

Fallon, S.W.
1984 A New Hindustani–English Dictionary: With Illustrations from Hindustani Literature and Folklore.  Allahabad: Bharti Bhandar.

Farmer, R. G.
1939 Studies in Oriental Musical Instruments. Glasgow:The Civic Library.

Feldman, Jeffrey M. & Alla Rakha
(no date) Learning Tabla with Alla Rakha. Los Angeles: Ravi Shankar Music Circle.
1995 The Tabla Legacy of Taranath Rao. Venice, California. Gigitala.

Fletcher, Harvey and Wilden A. Munson
1933 “Loudness, its Definition, Measurement and Calculation”, Journal of the Acoustic Society of America. 5, 82, Acoustic Society of America.

Fox Strangways, A.H.
1914 The Music of Hindostan. Oxford: Oxford University Press

Futehally, Shama
1994 In the Dark of the Heart: The Songs of Meera. San Francisco: Harper-Colllins.


G

Ganathe, N.S.R.
1981  Learn Urdu in 30 Days.  Madras: Balaji Publications.

Gangoly, O.C.
1948 Ragas and Raginis. Bombay: Nalanda Publications.

Ganguly, Shikha
1981 Introduction to Tabla. Delhi, Avon Book Co.

Garg, Balakrishna (editor)
1976 Brihaddeshi. Hathras, India: Sangeet Karyalaya.

Garg, Lakshminarayan (editor)
no date- Ravi Shankar Ke Ochestra. Hathras, India: Sangeet Karyalaya.
no date- Gazal Ank. Hathras, India: Sangeet Karyalaya.
1940 Tal Ank. Hathras: Sangit Karyalaya. Ghosh, M. (translator).
1956 Khammaj Thaat Ank. Hathras, India: Sangeet Karyalaya.
1957 Purvi Thaat Ank. Hathras, India: Sangeet Karyalaya.
1960 Todi Thaat Ank. Hathras, India: Sangeet Karyalaya.
1962 Ravindra Sangeet. Hathras, India: Sangeet Karyalaya.
1964 Dhrupad Dhammar Ank. Hathras, India: Sangeet Karyalaya.
1965 Mrdang Ank. January-February. Hathras: Sangeet Karyalaya.
1966 Kafi Thaat Ank. Hathras: Sangeet Karyalaya.
1968 Tarana Ank. Hathras, India: Sangeet Karyalaya.
1970 Bhakti Sangeet Ank. Hathras, India: Sangeet Karyalaya.
1971 Lakshan Geet Ank. Hathras, India: Sangeet Karyalaya.
1973  Bal Sangeet Shiksha, Vol.  2.  Hathras, India: Sangeet Karyalaya.
1975 Vadya-Vadan Ank. Hathras, India: Sangeet Karyalaya.
1976 Kheyal Ank. Hathras, India: Sangeet Karyalaya.
1977 Sangeet Nibandhwali. Hathras, India: Sangeet Karyalaya.
1977 Alap Tan Ank. Hathras, India: Sangeet Karyalaya.
1977 Sitar Malika. Hathras, India: Sangeet Karyalaya.
1978 Meera Sangeet Ank. India: Sangeet Karyalaya.
1984 Hamare Sangeet-Ratna. Hathras, India: Sangeet Press.
1993 Tabla Ank. Hathras, India: Sangeet Press.
1993 Aawaz Surali Karen. Hathras, India: Sangeet Press.
1994 Kathak Nritya, A Complete Work on Kathak Dance. Hathras, India: Sangeet Karyalaya.
1994 Table Par Dilli Purab. Hathras, India: Sangeet Karyalaya.
1994 Sangeet-Kala ka Pratinidhi Masik. Hathras, India: Sangeet Karyalaya.
1995 Rashtriya Sangeet. Hathras, India: Sangeet Karyalaya.
1998 Bhajan Sandhya. Hathras, India: Sangeet Karyalaya.
1999 Rag Visharad (Vol. 1 & 2).Hathras, India: Sangeet Karyalaya.
1999 Sangeet Visharad. Hathras: Sangeet Karyalaya.
2000 Meera Sangeet: Mira ke 78 Padon ka Swarankkan. Hathras: Sangeet Karyalaya.

Garg, Prabhulal (Editor)
1955 Bhairav That Ank. Hathras: Sangeet Karyalya.
1972 Rag-Ragini Ank. Hathras: Sangeet Karyalya.
1973 Filmi Shastriya Geet Ank. Hathras: Sangeet Karyalya.
1977 Sangeet Sagar.  Hathras: Sangeet Karyalya.
1978 Tal Ank. Hathras: Sangeet Karyalya.
1979 Qawwali Ank. Hathras: Sangeet Karyalya.
1982 Gharana Ank. Hathras: Sangeet Karyalya.
1985 Vishwa Sangeet Ank. Hathras: Sangeet Karyalya.
1989 Bal Sangeet Ank. Hathras: Sangeet Karyalya.

George, Henry
1990 “The Origin of the Arabian Lute and Rebec”, Studies in Indian Music and Allied Arts: Vol. 1. pp167-182. Delhi: Sandeep Prakashan.

Ghosal, H.R.
1996 An Outline of the History of the Indian People. New Delhi: Publications Division, Ministry of Information and Broadcasting, Govt. of India.

Ghosh, Nikhil
1968 Fundamentals of Raga and Tala with a New System of Notation. Bombay.

Ghosh, Sharmistha Sen
1988 String Instruments of North India (Vol 1&2). Delhi: Eastern Book Linkers.

Ghure, G.S.
1958 Bharat Natya and its Costume. Bombay: Popular Book Depot.

Godbole, Madhukar Ganesh
1967 Tal Dipika. Allahabad: Ashok Prakashan Mandir.
1969 Tabla Shastra. Hathras: Sangit Karyalaya.

Gokulsing, K. & Wimal Dissanayakwe
2013 Routledge Handbook of Indian Cinemas. London: Routledge

Gola, Lakhmichand
no date – Bhule Bisare Geet. Delhi: Jain Pustakalay.

Gottlieb, R. S.
1977a The Major Traditions of North In­dian Tabla Drumming. Munchen, Germany: Musikverlag Emil Katzbichler.
1977b The Major Traditions of North In­dian Tabla Drumming. Transcriptions . Munchen, Germany: Musikverlag Emil Katzbichler.

Govardhan, Shanti
1995 Sangeet Shastra Darpan (Vol 2). Allahabad: Pathak Publication.

Grant, Michael
1971 Atlas of Ancient History. Ame­rica: Dorset Press.

Greaves, Edwin
1983  Hindi Grammar.  New Delhi: Asian Educational Services.

Grierson, Sir Abraham
1903 Linguistic Survey of India. Office of the Superintendent of Govt. of India

Griffith, Ralph T.H.
1896The Hymns of the Rig Veda: Translated with a Popular Commentary. Benares: E.J. Lazarus & Co.

Gupta, R.K. Dutta
1994 Ragamala Painting. New Delhi: Rupa and Co.


H

Halim, Abdul
1962 Essays of History of Indo-Pak. Dacca: Asiatic Press.

Havel, E.B.
1905 Benares – The Sacred City. London: Blackie & Son, Ltd.

Hazra, R.C.
1940 Studies in the Puranic Records on Hindu Rites and Customs. Calcutta: Prakrikhadam.

Helmholtz, H. von
1875 Sensations of Tone. Trans. A. J. Ellis, London.

Hindu Association of West Texas
1996 Bhajan Sangrah. Midland, TX: Hindu Association of West Texas.

Hindu Community Center of Knoxville Tennessee
1991 Bhajanamaalaa. Knoxville: Hindu Community Center of Knoxville Tennessee.

Hutton. J. H.
1963 Caste in India. Bombay: Oxford University Press.


I

Ibrahim, Adil Shah
1956 Kitab-i-Nauras. (ed by Nazir Ahmad). New Delhi: Bharatiya Kala Kendra.

India, Ministry of Information and Broadcasting
1958 India. Calcutta: Publications Division, Ministry of Information and Broadcasting, Govt. of India.
1969 Hamare Rashtrageet. Faridabad: Publications Division, Ministry of Information and Broadcasting, Govt. of India.

Iyer, A. S. Panchapakesa
1995 Ganamrutha Keerthanamalika (Vol 1-3). Madras: Ganamrutha Prachuram.
1996 Pancharathna Ganamrutham: With Notation. Madras: Ganamrutha Prachuram.
2012 Ganamrutha Bodhini. Chennai: Ganamrutha Prachuram.

Iyer, S Rajagopala
1988 Sangeetha Akshara Hridaya: A New Approach to Tala Calculations. Bangalore: Gaanarasika Mandali.

Iyer, Trichy S. Raghava
1987 Basic Lessons on the Art of Mirudangam. Madras: Pon Olli Offset Press


J

Jain, Pankaj
1974 Lata Superhit Geet. Merat: Nutan Pocket Books.
1984 Swargiy Mukesh ke Super Hit Geet. Merat: Nutan Pocket Books.

Jain, Anil Kumar
undated – Rafi ke Dard Bhar Geet. Delhi: Jain Pustakalay.

Jain, R.K
1978 Mukesh ke Filmi Nagmen. Merat, Sangeet Pocket Books.

Jairazbhoy, N.A.
1958 “Bharata’s Concept of Sadharana”, Bulletin of the School of Oriental and African Studies. Vol. XXI part 1. pp. 54-60.
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T

Tagore, Rabindranath
1961 Ravindranth Thakur ke Sau Geeton ka Swarlipi. New Delhi: Sangeet Natak Akademi.

Tagore, Sourindro. Mohun.
1884 Catalogue of Musical Instruments and etc. Forwarded for Presentation to the Royal College of Music, London. Calcutta:I. C. Bose & Co, Stanhope Press.
1896 Universal History of Music. Calcutta. (no publisher info. available)
1965 Hindoo Music. Varanasi: Chowkhamba Sanskrit Series.

Tailang, Gangadhar Rao
1977 Thumree Sangrah. Lucknow: Uttar Pradesh Sangeet Natak Akadami.

Tarlekar G. H.
1969 “Some Musical Instruments of Folk and Tribal Music in Maharashtra.” Folk musical instruments of India exhibition and Seminar – November 1968s, Journal of the Sangeet Natak Akademi. January-Mar 1969. online at http://dspace.nvli.in/handle/123456789/2542 .

Thaker, Laxmi Prasad B.
1995 Sangeet Saurabh. Naperville, IL: Laxmi Prasad Thaker.

Trautmann, Thomas R.
1997 Aryans and British India. New Delhi: Vistaar.

Tyomkin, Edward & Margarita Voryobyova-Desyatovska
1994 The Hindu Pantheon: An Introduction Illustrated with 19th Century Indian Miniatures from the St. Petersburg Collection. Reading, UK: Garnet Publishing House Ltd.


U


V

Van Olphen, H.H.
1992  Hindi Pravesikaa – Beginner’s Hindi: Writing and Conversation.  Austin: University of Texas.

Vasant
1962 Rag Kosh. Hathras, India: Sangeet Karyalaya.
1966 “Kafi That ke Ragon ka Vivaran”, Sangeet: Kafi That Ank. Hathras: Sangeet Karyalaya.pp. 50-70.
1967 “Khammaj That ke Rag”, Sangeet: Khammaj That Ank. Hathras, India: Sangeet Karyalya.

Vashisth, Satya Narayan
1969 Table par Dilli aur Purab. Hathras, India: Sangeet Karyalaya.
1977 Tal Martand. Hathras, India: Sangeet Karyalaya.
1981 Kaida aur Peshkar. Hathras, India: Sangeet Karyalaya.
1982 Aprachalit Kaiyade aur gaten. Hathras, India: Sangeet Karyalaya.

Vatsyayan, Kapila
1956 “Kathak,” The Journal of the Music Academy. Madras, Vol. XXVII, 1956. pp. 74-88.

Veer, Ram Avatar
undated- Guru Nanak Sangeet Bhajanamrit. Dehli: Hind Pustak Bhandar.
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undated- Jaltarang Gaid. Dehli: Hind Pustak Bhandar.
undated- Shastriya Kant Sangeet. Dehli: Hind Pustak Bhandar.
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1978 History of Indian Music: Notation System. New Delhi: Pankaj Publications.
1978 Learn to Play on Flute. New Delhi: Pankaj Publications.
1978 Learn to Play on Harmonium. New Delhi: Pankaj Publications.
1979 15-Din Men Sitar Sikhiye. Delhi: Pustak Mahal.
1980 Theory of Indian Ragas. New Delhi: Pankaj Publications.
1987 History of Indian Music and Musicians. New Delhi: Pankaj Publications.
1995 Rag Asawari. New Delhi: Pankaj Publications.
1998 Learn to Play on Tabla II. New Delhi: Pankaj Publications.

Vidyarthi, G. (translator)
1959 “Melody Through the Centuries”, (A chapter from Ma’danul Moosigin by H. M. Imam – Lucknow:1856) Sangeet Natak Akademi Bulletin (11-12), April, 1959, pp. 13-26 and 33.

Vijayakar, Rajiv
2013 “The Role of a Song in a Hindi Film”, The South Asianist Journal. Edinburgh: Centre for South Asian Studies, University of Edinburgh. oai:ojs.pkp.sfu.ca:article/167

Vinjamuri, Varaha Narasimhacharya
1986 Tal Lakshanam. Kakinada, India: Padmini Printers.

Vitthala, Pupdarika
(no date) Ragamanjari. Bombay.

Vyas, Ramkrishna
1977 Rag Pravin. Allahabad, India: Sanjiv Art Press.


W

Wade, Bonny
1971 The Khyal, a Study in Hindustani Classical Vocal Music: Vol I.
Vol II.
Ph.D. dissertation, UCLA.

Wheeler, Michael C.
2012 A Practical Method for Taus, Dilruba, and Esraj. Wheeler Studios.

Willard, Captain N.A.
1934 A Treaties on Music of Hindoostan. Calcutta: Baptist Mission Press.


X


Y

Yadav, Bulaki Lal
1994 Tabla Prakash: Vol 1. Allahabad: Sangeet Sadan Prakashan.
1999 Tabla Prakash: Vol 2. Allahabad: Sangeet Sadan Prakashan.
1999 Tabla Prakash: Vol 3. Allahabad: Sangeet Sadan Prakashan.


Z

Zuckerkandl, V.
1956 Sound and Symbol, Music in the External World. London: Routledge and Kegan Paul.

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