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Jhorka & Korka

Folk Drums of Northern Bangladesh & N.E. India

by Mir Ali Akhtar

Side view of Bangladeshi folk drum known as korka

Jhorka and Korka are two folk drums found in the music of Nort­hern Bangladesh.  Although the two are nearly identical, the jhorka is a snare drum while the korka is a tom.

This drum is very pop­ular in the folk music of nor­thern Bangladesh.  It is com­monly used in the vaoiaya (bhawaia) style of folk music, and is an abso­lute must for the lathi khela and the lathi naach.  It is gen­erally used to accompany the dhol.

These drums are played with two sticks made of strips of bamboo.  It is slung around the neck while be­ing played.

The jhorka and the korka are played with two sticks while be­ing hung from the neck
Position for play­ing both the jhorka as well as the korka.

The drum has an inter­est­ing construction.  It is a two sided drum si­mi­lar to a snare drum or a tom, with the exception that both sides are greatly dissimilar in size.  The larger face of the drum is roughly 36-38 cm (approx 15 inches); this is the play­ing side.  The smaller end is only about 29-30cm (approx 11 inches); this side is not struck.  The drum skins are gen­erally cow hide or goat skin.  The body of the drum is gen­erally made of mango wood; mango wood is known for its light weight, and easy of working.  Lacing of the drum is gen­erally accomplished using jute rope and rawhide.

The play­ing head of the jhorka/ korka
The play­ing side of the jhorka / korka (larger head)

The distinction bet­ween the jhorka and the korka is to be found on the smaller head of the drum.  The jhorka has a snare at the bottom of it; this is gen­erally made by stringing three pieces of string across the surface of the drum.  The korka on the other hand, has a simple head with­out a snare.  Although the other aspects of construction may be identical, the pre­sence or ab­sence of the snare makes a big difference in the tone of the instrument.

The pre­sence of the snare distinguishes the jhorka from the korka
The non-playing side of the jhorka showing snare.


Other Sites of Interest

Commodifying Baul Spirituality: Changing Baul Literature and Music in Bangladesh

Jaggan: Musical Heritage of Jessore District, Bangladesh

Music of Bengal (review)

Continuity and Change: A Restudy of Arnold Adriaan Bake’s Research on the Devotional and Folk Music and Dance of Bengal 1925-1956.

India : North Indian folk music

Indian folk music

Indian Folk-Music

Bharatiya Sangeet Vadya (Review)

Catalogue of Indian Musical Instruments

Fractal dimension analysis of audio signals for Indian musical instrument recognition

Natural synthesis of North Indian musical instruments

Recognition of Indian Musical Instruments with Multi-Classifier Fusion

The Tagore collection of Indian musical instruments

Improvement of Audio Feature Extraction Techniques in Traditional Indian Musical Instrument

East Indians musical instruments

Yantra kosha; or, A Treasury of the Musical Instruments of Ancient and of Modern India, and of Various Other Countries