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by David Courtney working tools

surbahar

Surbahar is essen­tially a bass sitar.  It is sub­stan­tially larger and is tuned con­si­der­ably lower than a sitar.  But how much lower seems to vary con­si­der­ably.  Commonly one finds it about two or three steps lower than a sitar.  Its technique is si­mi­lar enough to so that music­ians have no trouble going from one instrument to an­other.  The surbahar has an advantage over sitar in that it has a longer sustain and an ab­ility to meend (glissando) up to an octave in a sin­gle fret.  There­fore it is pos­sible to play comp­lex melodies with­out using more than one or two frets.  This instrument is very well suited to long slow alaps.

The instrument’s main weakness is that its long sustain causes a fast jhala to be­come indistinct and muddy.  It is for this rea­son that some art­ists prefer to play the alap with surbahar but shift to sitar for gat and jhala.

One would think that since it does not tune to the same range that it would be im­pos­sible to play with sitar. Actually it is done quite sim­ply, although there are seve­ral ap­proaches.  One ap­proach is to tune it so that the baaj tar (main play­ing string) is set to a lower Sa instead of Ma.  One then tends to do the ma­jor­ity of one’s play­ing upon the se­cond string rather than the first.  The note value of the frets is dif­fer­ent, but it does allow the instrument to play an octave lower than a sitar.

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Photo Gallery

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Surbahar, bass sitar

Surbahar

Surbahar, faceplate

Surbahar tabali

Surbahar, bridge

Bridge

Surbahar, tuning pegs

Tuning pegs and chikari mogara

Surbahar, tumb

Tumba

Surbahar, decorative leaves

Decorative leaves

Surbahar, Tuning pegs

Tuning pegs, frets, and chikari mogara

Surbahar, tuning head

Tuning bead

Surbahar, sympathetic bridge and sound-hole

Sympathetic bridge and sound-hole


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