| TYPE | TALA | GHARANA | COMPOSER | SUBMITTER | DATE |
| Gat | Tintal | ? | ? | Subdhadeep Gupta | 08/11/98 |
| COMPOSITION | |||||
Dha- GiRa NaGa Tak- -- Dha- GiRa NaGa Tak- -- -- Dha- GiRa NaGa Tak- -- Dhin- Dha- GiRa NaGa Dha- TeTe GiRa NaGa Dhin- Dha- GiRa NaGa Dha- TeTe GiRa NaGa GiRa -Na Dha- TeTe GiRa NaGa GiRa -Na Dha- TeTe GiRa NaGa Dha- TeTe GiRa NaGa Tit- -- -- TeTe DheRe DheRe GiRa NaGa DheRe DheRe GiRa NaGa TaKe TeTe Kran -- khali Ta- KiRa NaKa Tak- -- Ta- KiRa NaKa Tak- -- -- Ta- KiRa NaKa Tak- -- Tin- Ta- KiRa NaKa Ta- TeTe KiRa NaKa Tin- Ta- KiRa NaKa Ta- TeTe KiRa NaKa Gira -Na Dha- TeTe GiRa NaGa GiRa -Na Dha- TeTe GiRa NaGa Dha- TeTe GiRa NaGa Tit- -- -- TeTe DheRe DheRe GiRa NaGa DheRe DheRe GiRa NaGa TaKe TeTe Kran -- |
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| COMMENTS | |||||
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"The tak stroke (occuring in the first line and 6 times in the entire composition) is the dry chop stroke on kinar. Kran - the last sound on each section (bharee and khali) is a swift flam combination of Ke (on bayan) and Na on tabla." - Subhadeep Gupta |
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