Comments - This may have the notes of Darbari but it certainly does not nmove like Darbari, it tends to slide around between Darbari, Jaunpuri and Adana. If you are trying to get a feel for how Darbari works, you had better look eleswhere.
Comments - At times this is pretty good example of Darmbari, but just when you think they have nailed it, they throw in a touch of Shuddha Nishad. This gives it a hint af Adana. If you ignore these small lapses,then you can use this piece to get an idea as to how Darbari is structured.
Comments - This starts off as a an extremely good example of Darbari Kanada, but then it goes off in different directions. I suppose that is to be expected with Bollywood :-)
Comments - This is a ghazal by Ghulam Ali. Ghulam Ali's style is to mix rags with such abandon that it makes one dizzy. However in this piece, he stays surprisingly close to Darbari. Still I would not use this as a guidline to get a feel for this rag. In all fairness, this is not a reflection upon Ghulam Ali's propensity towards mixing rags, but is instead a reflection of the narrow tightrope that an artist has to cross without stumbling into Jaunpuri, Adana, or any of several related rags.
Comments - This is fairly traditional Darbari right up to half way through the song when it suddenly changes. It introduces a Shuddha Dha into the antara where Darbari only admits to a Komal Dha
Comments - This is a pretty good example of Darbari Kanada. I would have liked to see a strong presence of the ultra-flattened third (ati komal Ga) and an ultra flattened 6th (ati komal Dha), but I know that this is just too much to expect from a film song. All things considered this is really a pretty good example if you are struggling to get an understanding of Darbari Kanada.