| TYPE | TALA | GHARANA | COMPOSER | SUBMITTER | DATE |
| Uthan | Tintal | Punjab | traditional | Sajjad Chowdhry | 08/20/98 |
| COMPOSITION | |||||
x Dha-Dha-TiRiKiTa Dhin-TiRiKiTaDhin- Ta-Ran-Dha-Ti Dha-TiRiKiTaTaKe | 2 GaDiGiNeKiTaTaKa DhiReDhiReKiTaTaKa TiRiKiTaNaGaDhit Ka-Ran-Dha-Ti- | o Dha---(Dha-Ti- Dha-)--KiTaTaKa TiRiKiTaNaGaDhit Ka-Ran-Dha-Ti | > 3 Dha---(Dha-Ti- Dha-)--KiTaTaKa TiRiKiTaNaGaDhit Ka-Ran-Dha-Ti | > x Dha > |
|||||
| COMMENTS | |||||
|
"This is a relatively simple Uthan but the bol "TiRiKiTaNaGaDhit" is a little bit 'Tera' (crooked)
so it's kind of difficult at first. I don't know but it sounds a little "Kathaki" to me. The
bols in parentheses are fillers for the Uthan so they're not needed but advised to confuse the
listener. And the > sign means to put emphasis on these (obviously you will since it's the mark
of the Tihai)." - Sajjad Chowdhry
"Ta-Ran- is ring finger on chanti and then index finger on chanti." - Sajjad Chowdhry This composition is traditional, taken from the book 'Taal Ahang' by Pervez Paras. |
|||||
Any comments, requests, or reports of technical difficulties may be sent to:
david@chandrakantha.com