| TYPE | TALA | GHARANA | COMPOSER | SUBMITTER | DATE |
| Kaida | Tintal | Ajrada | traditional / Catrin Pieri | Catrin Pieri | 26/04/02 |
| COMPOSITION | |||||
+ Dha- DhiNa NaKa DhiNa 2 NaKa Dha- DhiNa NaKa 3 DhiNa NaKa Dha- DhiNa 4 NaKa DhiNa NaKa Ta- + Dha-DhiNa NaKaDhiNa NaKaDha- DhiNaNaKa 2 DhiNaNaKa Dha-DhiNa NaKaDhiNa NaKaTa- 0 Ta-TiNa NaKaTiNa NaKaTa- TiNaNaKa 3 TiNaNaKa Dha-DhiNa NaKaDhiNa NaKaTa- |
|||||
| COMMENTS | |||||
| The first piece is the tratidional theka for "Cara tala Khanda-Jati" as given in Manfred Junius' book about north indian tals. This tal is 4/4/4/4 without khali section. The second is my own adaptions as Kaida/Rela for tintal. Ta is played like open (this is clear from the book because a is a long vowel) I play Dhi with one finger open on siyahi and the first na in dhina naka with two finger on kinar for speed. But this may not be traditional. Catrin | |||||
Any comments, requests, or reports of technical difficulties may be sent to:
david@chandrakantha.com