This is my favourite Kherwa one, it caters for all styles.
Dhi Dhin Na Dha Ti Dhin Na Na
Dhi = Ge+middle finger on sayhi dampened Dhin = Ge+Tin (first finger) dampened Na as in first finger outer edge Dha=Ge+Na Ti=Middle finger on sayhi Dhin as above Na=Ki (flat palm on Baya)+na as in first finger Na=first finger outer edge
You will notice the tabla hand going na ti tin na, na ti tin na etc in repitition as in 2 fingered Teen Taal. The second Dhin is the crucial (and makes all the difference) as it is immediately followed by a khali (flat palm on Baya) and Na together. This is purely a personal style of preference.
I have written it deliberately like so but the actual sum (number one) is on DHA. After getting used to the bol experiment with accenting with different fingering weights, resonance and dampness. Before you know it the TiRaKiTa's will come naurally. Good Luck